The Times did not review “The Wild Party,” but it was noticed; among its admirers was Edmund Wilson. The most successful reclamation of “The Wild Party” came in 1994, at the hands of the artist Art Spiegelman. Spiegelman saw March’s work as a memento of a different age: “His generation swilled bathtub gin and had a wild party. “The Wild Party” is an autopsy performed under a flickering light by a wisecracking coroner. Stylist’s assistant: Evan DombkowskiThe post A Cautionary Tale for the New Roaring Twenties appeared first on New York Times.
